Publicity material for The Martyrdom of Gilles de Rais

Gilles de Rais was executed on October 26th 1440 for a string of offences including heresy, black magic, sodomy and murder. He was revered as a saint for three hundred years after his death. Since the latter part of the nineteenth century, he has quite wrongly been regarded as the inspiration for Perrault's Bluebeard. What are we to make of such contradictions? 

Historians have long assumed that the life and death of Gilles de Rais had been thoroughly researched and held no secrets. The converse was the case. Properly examined, the dry court documents are full of contradiction and absurdity. Many supposed facts, on close scrutiny, turn out to be pure fiction. Unimportant characters sidle from the shadows, having turned out to be spies. Important ones may never even have existed. 

In 1992, there was an unofficial retrial, spearheaded by the novelist Gilbert Prouteau. Gilles  was spectacularly acquitted, but there has been a great deal of controversy about what many see as a jape or a publicity stunt and his reputation remains in limbo. 

Was he a saint, or the Devil incarnate? History is undecided.

The purpose of this book is to scrutinize the generally accepted account of Gilles' life, including the evidence given at his trial, to expose the commonly believed myths and to posit a more credible alternative narrative. There is a much stronger case for his innocence to be made than that put forward in 1992. 

However, this is not simply a rehash for English readers of the arguments put forward by various French writers. It is a work of original research. In addition, since existing biographies are inaccurate and patchy, it is an attempt at a truly encyclopaedic account of the life of Gilles de Rais. Everything you always wanted to know about Gilles de Rais (but were afraid to ask), if you like. All the facts are there, as well as all the lies and legends. 

This is not a conventional biography.  But Gilles de Rais was no conventional man.

Gilles de Rais Day 2017: a celebration

My book, The Martyrdom of Gilles de Rais is now on sale as an ebook. A paperback copy will be available soon. 

This is the only revisionist biography of Gilles de Rais in English. It is comprehensive, addressing not only all the known facts of Gilles' life but the myths that surround him, not least the spurious Bluebeard connection. 

In memoriam 

Gilles de Rais, 

Etienne Corillaut, 

Henri Griart

The Trials of Gilles de Rais: short passage from new biography

The first thing to stress is that the trial record is not a reliable nor, obviously, an impartial document. Little attempt has been made to conceal the fact that it was amended after the event; how long after is not known. It is not complete: we see Perrine Martin and Tiphaine Branchu brought into court and hear other witnesses refer to what they had to say, but we cannot read their own words. Their confessions, we are told, have not come down to us. It seems unlikely that this is accidental. We will see witnesses contradict each other and themselves, and allegations of impossible deeds. We will examine clear signs that the most damning evidence was extracted by torture, or at the very  least by the threat of torture. We will see Gilles de Rais harassed, antagonised, threatened and eventually broken.


What we will not see is the Bishop of Nantes rising up in outrage to veil the face of the crucifix when Gilles' testimony is at its most lurid; this was a flight of fancy by J-K Huysmans in his popular novel Là-Bas, elaborating on a less dramatic invention by none other than the Bibliophile Jacob. Nor, sadly, do we read “Pale grey starred with gold; and if he opened his doublet, a belt of scarlet with a dagger of grey steel hidden in a red sheath” or “Gilles appeared all in black, with a hood of velvet and a doublet of black damask trimmed with fur of the same colour”, as Valentine Penrose would have it. All these symbolic couture details are fictional and come from the fevered pen of Paul Lacroix, the Bibliophile. Nor will we see Gilles' beard with the bluish highlights, nor the lycanthropic grimaces of his handsome face: all this, likewise, was Lacroix's work. It is fair to say that nobody, probably not even Bossard, has so profoundly influenced Gilles' image. The trial record, in spite of the shocking nature of its content, is a dry and difficult read, which is why so few people have read it attentively. As a rule of thumb, whenever the accused is described, or the crowd's reaction is indicated, this is the hand of the Bibliophile. We are not told what Gilles wore or how he appeared; we do not even, surprisingly, have any explicit indication that the ecclesiastical trial was open to the public.

Translations of the documents are freely available in both English and French and there is no substitute for a careful study of them. The intention of this chapter is to explain clearly and chronologically what happened, to clarify any obscure points, and to examine in particular detail the passages that biographers tend to gloss over. Most commentators agree that it was a conspicuously fair trial for that period; although Reginald Hyatte, no revisionist, says “It is possible to interpret the legal action initiated against Gilles de Rais in both courts as the legitimate means by which the Duke of Brittany managed to acquire Gilles' possessions without arousing suspicion or causing a revolt among his other vassals.”  E A Vizetelly, the only English writer with a revisionist slant, remarks that “the proceedings of the court were scarcely lawful”. As we shall see, Gilles seems to have agreed with him, and for much the same reasons.

[Second brief taster of my new Gilles de Rais biography, which should be completed in 2017. The first snippet is here.]